Of giltwood with fine molded fossiliferous reef limestone top. Each with shaped marble top with molded edge and shaped undermold above a stepped and molded frieze raised on four scrolling uprights, each upright of undulating molded form with raised edging to the sides, set with acanthus carving to the top issuing trailing foliate carving, each upright issuing a scrolling foliate stretcher meeting at a central circular reserve supporting a molded dish, each upright terminating in a block foot with foliate carving.
The present tables are very closely related to a console table which formed part of the original furnishings of Schloss Seehof, northern Bavaria, and which, according to correspondence from Dr. Alfred Schelter of Schloss Seehof,1 was probably made by the Bamberg court ébéniste Servatius Brickard (1676-1742) in 1722.
Both the Seehof table and the present pair are clearly infused with the same principles of design. The compact proportion of both designs is similar, as is the use of a very distinctive Louis XIV-inspired elongated carved bun foot. Moreover, the tables also share a similarly flowing scrolling x-stretcher while the legs are of distinctively restrained cabriole form.
The rare fossiliferous reef limestone tops are identical in coloration on all three tables and must have been cut from the same seam. Furthermore, both the top of the Seehof table and those of the present pieces have particularly fine beak molded edges and exaggeratedly overhanging tops, especially found in furniture made for the Prince-Bishops of Franconia. For example, a number of other tables with this same feature can be viewed in the entrance gallery of the Würzburg Residenz. As such, it seems very likely that the present tables were also commissioned from Brickard for Seehof.
Seehof Palace was built from 1686 as a summer residence for the Bamberg Prince-Bishops by Prince-Bishop Marquand Sebastian Schenk von Stauffenburg, who commissioned the Würzburg architect Antonio Petrini. Stauffenburg was succeeded as Bishop of Bamberg in 1693 by Lothar Franz von Schönborn, who held the Bishopric until 1729 and would have been responsible for commissioning furniture for Seehof. As well as holding the seat of Bamberg, Lothar Franz was also Archbishop of Mainz (1695-1729), the highest in status of all the church dignitaries of the Holy Roman Empire.
Whilst presiding at Bamberg, Lothar Franz gained a reputation as a great patron of the arts, resuming the construction of the baroque building of the town's New Residence, begun before the Thirty Years War, and commissioning the magnificent Pommersfelden Palace. It is within this context that the present tables can be seen as part of the aesthetic expression of the importance of the powerful and influential Prince-Bishops in the early 18th century.
Seehof ranks as one of Germany's greatest houses, although sadly most of its vast contents were sporadically sold by its profligate owner in the 1950s. However, as a result of these sales, furniture with a Seehof provenance appears in a number of important collections, most notably the Metropolitan Museum of Art in New York. On display at the Metropolitan is the extraordinary set of seat furniture from Seehof, the backs of which are conceived as a trellis intertwined with vine leaves.
The present tables presumably left Seehof during this period of the 20th century, however, they did not travel far, as they latterly formed part of the dining room furniture of another noble house at Stammschloss, Giebelstadt, near Würzburg.
Provenance:
Almost certainly commissioned for Schloss Seehof, Bavaria
Latterly at Stammschloss, Giebelstadt near Würzburg
Measurements:
Height: 32" (81.5cm); Width: 43" (109.5 cm); Depth: 28" (71 cm).
Footnotes:
1. Schelter, Dr. Alfred. Letter to Carlton Hobbs. 27 Oct. 2003. Schloss Seehof, Memmelsdorf, Germany.
